In his Venice project, Markus Schinwald examines the Austrian Pavilion, built 1934 by Josef Hoffmann, an architectural landmark on and around the Giardini grounds. The central point of reference of Schinwald’s engagement with the Pavilion’s structural components and architectural elements is, as in his previous works, the human body. Providing moments of disturbance and irritation in three-dimensional space, the artist exposes visitors to an emotional experience of breaches and deficiencies. Markus Schinwald’s contribution is convincing because of his strength and artistic consistency in realizing his installation for the Austrian Pavilion.